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The Hush Left Behind

π™Έπš— πšπš‘πšŽ πš‘πšžπšœπš‘ πš•πšŽπšπš πš‹πšŽπš‘πš’πš—πš, πš™πšŽπšπšŠπš•πšœ πšŒπšŠπš›πš›πš’ πšπš‘πšŽ πšœπš’πš•πšŽπš—πšŒπšŽ 𝚘𝚏 𝚊 πšŸπšŠπš—πš’πšœπš‘πšŽπš πšπš›πšŠπšŒπšŽ πš‹πšŠπšŒπš” πš’πš—πšπš˜ πš‹πš•πš˜πš˜πš–.🀍

In this ceremony, a flower girl presides over the passing of a unicorn. Soft, floating things gather around something heavy β€” flowers beside bones, ribbons beside a creature ancient, sacred, and gone. She is the one who comes closest to that sacred disappearance. She notices it, stays with it, and gives the ritual its shape. Her softness becomes the quiet authority: gentle enough to approach death, and steady enough to remain beside what is vanishing.

β€”

This piece was created for In Bloom, an exhibition hosted by @pankeki.au 🌸 I’m so grateful for the invitation!

I spent a long time sitting with the question of what shojo and hirahira mean to me, not as an aesthetic, but as a feeling. I kept coming back to this idea of softness as something with weight. Things that flutter and float arenβ€˜t weightless; they choose to stay close to what is heavy. That tension is where this piece lives.

I’m really happy this one finally gets to be seen🩡

The work is an archival giclΓ©e print on fine art matte paper with hand-applied gold and silver ink, and will be exhibited in person at Pankekiβ€˜s gallery in Australia. if you’re local, Iβ€˜d love for you to come see it. 🀍